
How Learning to Negotiate Advances Career - Matt Curtis

In Chapter 12 of 16 in her 2011 Capture Your Flag interview, non-profit founder and executive Courtney Spence answers "How do you balance retaining artistic control over a final story product with client expectations around what they want to see in the post production process?" Spence shares how she balances maintaining artistic - or final cut - control with meeting client storytelling project expectations. She tempers potential hurdles by setting expectations up front, including tone, shots, interviewees, etc. Once her team hits the ground, often the stories or project elements change. This is where continuing communication, coupled with confidence based on experience, help manage and evolve client expectations. Spence is founder and executive director of Students of the World, a non-profit that partners with passionate college students to create new media to highlight global issues and the organizations working to address them. Spence graduated with a BA in History from Duke University.
Transcript:
Erik Michielsen: How do you balance retaining artistic control over a final story product with client expectations around what they want to see in the post production process?
Courtney Spence: So part of what we really try to do with our partners is do a lot of work upfront. So it’s a media assessment, it’s a production proposal that is a back and forth, you know, basically, tool or conversation through a proposal that we have with our organizations to outline, here are our final products that we will deliver, here is the tone that we’re taking, here is the shots that we’ll be getting, here are the interviews, I mean we get very detailed in that. Of course, then you get on the ground and everything changes, and you meet people that you didn’t expect, and all these great stories pop up in ways that you weren’t expecting to see them. And sometimes the stories that you thought you were going to find that would be great just don’t translate very well through, you know, through film, through photography. So when we come back, you know, a lot of it is just sort of internally looking at the footage and really seeing where are the strongest stories for this organization, where are the strongest proof points that this organization is making a difference at the human, individual, family, community level, and let’s go after those.
So we have definitely found times where we present a rough cut to a partner and they’re like ‘but you didn’t talk about the fact that we also do microfinance levels to women over the ages of 60 in this community’ and I’m like ‘we love it, we think it’s great, it’s a great program, but either we didn’t find -- we didn’t have an opportunity to tell those stories or we feel that this one story will elicit an emotional response in the viewer enough to where they will go to your website and read about the program that you have for microfinance for women over the age of 60. You want them to go read more about your project because you can’t tell everything in a two-minute piece. And so a lot of what we have been able to do in the last couple of years is really, you know – there has been certainly a desire from organizations, we want a 15-minute piece, we want a 20-minute piece, and there are sometimes when those, you know, documentary films really work well, but more often than not, we specialize in and really, really encourage organizations to tell – let’s tell your story in three minutes or less. Let’s tell it in 90 seconds or less. We have such a limited amount of time, we’re gonna have to sacrifice certain elements. So there’s usually a back and forth that happens. We have to internally say ‘okay, we’re gonna fight for this, this, and this; we’ll give them this, this, and this.’ It’s not like a one versus the other, but it’s just, you know, organizations bring us on because this is what we do.
In Chapter 14 of 19 in his 2011 Capture Your Flag interview, community builder and entrepreneur Fabian Pfortmüller shares how his experience starting multiple businesses has compared and contrasted with his initial expectations. He learns how his atypical career approach translates into creating a nontraditional startup. Location independence, especially encouraging his Holstee and Sandbox teams to work abroad and take trips, becomes a centerpiece in creating company culture. Pfortmüller is co-founder of Sandbox Network (www.sandbox-network.com). He also co-founded an innovation think tank, Incubaker (www.incubaker.com), and is part of the group's first spin-off, Holstee (www.holstee.com), an apparel brand for people who would like to wear their passion. Pfortmüller graduated from Columbia University and its School of General Studies.
Transcript:
Erik Michielsen: How is life as an entrepreneur different than you imagined it would be?
Fabian Pfortmüller: My feeling was that entrepreneurs have a lot of holidays [laughs] yeah for some reason I thought that, I thought being your own boss means you can take holidays whenever, turned out not to be true… but having said that you know I believe that it is possible to make that happen and I feel also we talked before about standard careers and doing the atypical way, it seems also a little bit as if there is the standard entrepreneur model, like working extremely hard and kind of not taking holidays and after five, six years you have your exit or not but it’s really crazy a lot.
I believe you can shape that and what we do at Holstee for example is be very dedicated to say that we want to you know spend maybe several months a year working from somewhere else and be very open to go and take breaks if that’s, if that’s what it is for us, we say if you don’t feel like coming to the office, don’t come, either don’t work or kind of work from a café or somewhere else because in the end we didn’t become entrepreneurs to kind of end up in the same situation where someone else will kind of tell us what to do and the same thing goes for Sandbox that we – our team has moved for two weeks in Berlin, work two weeks in Berlin, now they were two weeks in London and really moving a little bit around, that is possible… but it’s not maybe how I originally imagined it to be.
In Chapter 10 of 20 in his 2011 Capture Your Flag interview with host Erik Michielsen, author and leadership expert Simon Sinek shares how his childhood and education have shaped his approach to cultural anthropology, ethnography, and research. Sinek believes research should be done away from focus groups and in the field, especially in uncomfortable environments. His curiosity turns discomfort into a motivating factor he uses to better understand his subjects. Simon Sinek is a trained ethnographer who applies his curiosity around why people do what they do to teach leaders and companies how to inspire people. He is the author of "Start With Why: How Great Leaders Inspire Everyone to Take Action". Sinek holds a BA degree in cultural anthropology from Brandeis University.
Transcript
Erik Michielsen: How has your anthropology background proven helpful working in unfamiliar environments, including with the United States military?
Simon Sinek: Being trained as an ethnographer being trained and sort of having this cultural anthropology background, significantly changes the way of how I do my work, or being in strange or different situations. This is why I’m against focus groups. I think the concept of a focus group is laughable. That you bring people in to a sterile research environment, so that the researcher can be comfortable and safe and happy, but the respondents – the people who you want to be open and honest – are the ones who are uncomfortable and on-edge, that’s backwards to me.
It’s the responsibility of the researcher to go to the respondents. It’s the responsibility of the researcher to go into the environment, into the homes, into the societies, into the buildings, into the offices of the people that they want to study and understand. It’s the responsibility of the researcher to deal with the discomfort, rather than forcing the respondent to be uncomfortable.
So that’s how I was raised, both academically, and also that’s how I was actually raised. I lived all over the world. As a kid, we traveled around a lot, and so I will always go to somebody if I’m interested in them, and I believe they are the ones who should be comfortable and I’m the one who should be uncomfortable. That’s correct, because that way you get the best answers. And so, because that’s how I’ve always done things, I have no problem going to very unfamiliar environments. For me it’s an object of curiosity, if I’m uncomfortable I want to understand what’s making me uncomfortable and I think that’s kind of cool.
Since 2009, Capture Your Flag has interviewed a cohort of rising leaders who share lessons from their journeys to help others plan, pursue and achieve life and career aspirations. The resulting 3000+ Near Peer Video Library can be licensed for commercial use.